Showroom | Colombia/ Venezuela

FLAG

Bandera

Bandera Intermitente

Video HD en color / 01:26 / 2021
Villa del Rosario, Norte de Santander, Colombia

What is the flag for each of us?

Bandera is a project born in Cúcuta, Norte de Santander. A border territory in Colombia that borders the state of Táchira in Venezuela. These countries share a history as extensive as their border. The inhabitants of these border territories create bonds between similarities; economic, social, and cultural.

Currently, the Venezuelan migrants crossing the border have intensified this encounter. It is in this social friction where individual meanings and collective symbols confront each other. Furthermore, this material is what nourishes the project.  

The flags of Colombia and Venezuela spring from the same ideal. Both nations have transformed them over time but have retained the symbolic meaning that gave rise to the development of the flag. 

Constantly in this border territory of humanitarian emergency, tensions are created between both flags, the flags mimic each other, and the limits of that symbol are blurred.

– Archive 

Archive of photographs and videos found during the fieldwork carried out in the border context. These show how individuals and the collective appropriate themselves and represent the symbols (flags).

Tela para una bandera

Video HD en color / 51:39 / 2021
Cúcuta, Norte de Santander, Colombia

Fabric for a flag (video) 
Disassembling the symbol allows me
to investigate it. 

The video ‘Fabric for a flag’ (Tela para una bandera) shows the process of disassembling a Venezuelan flag bag. This process brings me closer to think about the basis of my Colombian-Venezuelan identity. These kinds of bags are used frequently by Venezuelan migrants of low economic standing, who leave the country by walking to other South American countries. The flag bags were gifts of the Venezuelan government for student purposes. 

The video ‘Fabric for a flag’ promotes the continuation of the Bandera project. With this video, the process called Barter Action begins- It consists of exchanging flag bags for other bags that I will give to Venezuelan migrants who pass through the border road axis to obtain the “fabric for a flag.”

Fotografía de archivo proyecto Bandera

Fotografía de archivo proyecto Bandera
Los patios, Norte de Santander, Colombia / 2021

Fotografía de archivo proyecto Bandera
Cúcuta, Norte de Santander, Colombia / 2021

Video de archivo proyecto Bandera

Villa del Rosario, Norte de Santander, Colombia

Fotografía de archivo proyecto Bandera

Cúcuta, Norte de Santander, Colombia / 2021

Cúcuta, Norte de Santander, Colombia / 2021

Armando franela

Cúcuta, Norte de Santander, Colombia / 2021

Armando Shortpans

Cúcuta, Norte de Santander, Colombia / 2021

Armando Sostenes

Cúcuta, Norte de Santander, Colombia / 2021

Bandera para un colectivo

Flag of a collective 

‘The flag of a collective’ is the name given to the construction of a flag made with the scraps of the flag bags exchanged with Venezuelan migrants through bartering. This flag’s shape will be the same as the cape of Simon Bolivar’s uniform. The goal is to intervene with it on the monument of Simón Bolívar in the square that bears his name in Cúcuta – Colombia.

The Simon Bolivar monument was a donation of the Venezuelan government to the country of Colombia in 1982. Is it a gesture to exalt the patriotic symbols from art?

– Rendering of the intervention of the monument of Simón Bolívar with the cape made with scraps of flag bags in the square that bears his name in the city of Cúcuta – Colombia.

– Installing the flag cape on the statue of Simón Bolívar in the square that bears his name in the city of Cúcuta.

Victoria Ruiz Ossa / Tarea escolar
Pintura acrílica sobre cartón / 11 x 17,5 cm. / 2021
Villa del rosario, Norte de Santander, Colombia

About the artist Armando Ruiz

Armando Ruiz (Barranquilla, Colombia 1983) currently lives and works in Cúcuta Colombia. In 1999 he moved to Maracaibo Venezuela, in 2004 he was admitted to the Experimental Faculty of Arts at the University of Zulia, where he began a Bachelor of Fine Arts mention: Sculpture, which culminates in 2008. After staying 17 years in Venezuela, in 2017 he decided to leave Venezuela and settled again in Barranquilla, where he remained until 2018, in that same year he moved to Medellin, remaining there until January 2021.

His work has been reflecting on violence as a practice of human beings. He is interested in observing the context where he is constantly moving (Colombia – Venezuela) as violence moves from the individual and private to the political and public. His ideas are supported by different artistic languages such as sculpture, artist’s books, video, performance, photography, and installation.

Curator: Nelson Gonzalez & Gerardo Zavarce
Production: Zurishaddai Tremus
Collaboration: Lanuary Chedraui Sarmiento

ELPRANProjecten 2020-2021
All Rights Reserved

EL PRAN Project thanks Prins Bernhard Cultuurfonds Caribisch Gebied for their unconditional support and for making this Virtual Showroom possible.